The
Baker Museum at Artis—Naples is hosting an exhibition that features American
Abstract art.
Located
on the third floor of the Baker Museum, 100
Years of American Abstraction features the museum’s permanent collection of
Abstract art done by American artists throughout the 20th century.
The works, which range from glass sculpture to crayon drawings, showcase
American artists that wanted to redefine art for the American public and to
show the art world what they were capable of doing. European artists, such as
Picasso, who had been on the forefront of abstract art at the beginning of the
20th century, inspired and motivated American artists to break away
from the narrative realism of popular American art at the time.
“Up
until the Armory Show of 1913, most of America thought of art in kind of the
traditional ways: representational, figures that you knew what you were looking
at, religious art, landscape art,” says Baker Museum Docent Phyllis Barolsky.
The
Armory Show had 300,000 attendants over the span of a tour that traveled from
New York to Chicago and then to Boston. It
challenged the American public to reconsider how they defined art; while it was
difficult to grasp when it was first introduced, and still is for some people,
Abstract art has become one of the predominant art movements of the 20th
century.
According
to Barolsky, “It made the biggest
difference and that is a lot of what art is about—just kind of the constant
change and constant movement.”
Barolsky
hurriedly walks towards an artwork, “Let me show you one of my favorites. This
painting was done by a former architect, but if you notice the building doesn’t
look like a building an architect would want to design.”
The building in the painting features a
jagged, uneven roof line and disproportionate, off-center windows. The artist
wasn’t trying to depict a realistic building, but was more interested in making
a visually curious work that also includes an oddly curved tree and a hunched
over man in coat.
When
walking through the exhibition’s galleries, there is a noticeable contrast
between the artworks’ multitude of colors and semi-distorted forms and the
galleries’ hard wood laminate floorboards. In a space that can be filled with
thunderous noise by a single sneeze, the busy shapes and palettes of Abstract art
provide a sense of energy that the exhibition space would otherwise lack.
100 Years of American Abstraction can be seen now through Oct. 26.
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